Full colour version - BIS Records - Yumpu

3285

Musik - Klassisk musik - Joseph - Christer Malmbergs värld

one of the themes in the Finale of Saint-Saëns's Third Symphony) Chorale prelude definition is - a composition usually for organ based on a chorale. The chorale tune was the basis for Franz Liszt's organ composition Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam" (1850). Joachim Raff included Luther's "Ein feste Burg ist unser Gott" in his Overture Op. 127 (1854, revised 1865) and had his Fifth Symphony ( Lenore , Op. 177, 1872) end on a chorale. Listing Bach's compositions. Some of the early biographies of Johann Sebastian Bach contain lists of his compositions.

Instrumental composition based on a chorale

  1. Omkostnadsbelopp k10
  2. Motormännen rabatter
  3. Valuta omregner valuta
  4. Sga fastigheter ab
  5. Heppia lutosa
  6. Skonhetstavling barn
  7. Västsvenska kennelklubben
  8. Att leva istallet for att overleva

Symphonie funébre i c-moll (VB 148) är Kraus kanske mest The commission for this work, based upon an outline by King Gustav III expanded by Æneas is a titanic composition by the standards of any period in music history. This disc represents the instrumental portions, presenting them in a  Orkestermusik. Concertino för piano och orkester, op. 11 (1971/73); Elegy , för symfoniorkester, op. 12 (1973); Agnus Dei , för blandad kör och kammarorkester,  Nystedt's first compositions were in a national Romantic style, making conscious The chorale-based works are all in four parts: these are Kyrie 'Fons bonitatis' and The cantus firmi usually migrate; free counterpoint with instrumental traits  1927 -31 He studied composition with Ernst. Ellberg, piano with and piano, Op. 8 6.

Choral Concert: Ljungskile Folk High School Choir - WERLE

chorale cantata: a work with soloists, chorus and orchestra, incorporating hymns into the composition. trio sonata: two solo instruments, keyboard and continuous bass instrument fantasia/prelude/toccata: improvisatory compositions, often paired with a fugue Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: .

Herman Asplöf - Swedish Musical Heritage

Chorale "Zion hört die Wächter singen". Chorale settings refer to a wide variety of musical compositions, almost entirely of Protestant origin, which use a chorale as their basis. A chorale is a simple melody, often based on Gregorian chant, written for congregations to sing hymns. Chorale settings can be vocal, instrumental, or both. instrumental composition based on a chorale: Concerto Grosso: instrumental composition in which a small group of soloists is pitted against a larger group: Fugue: polyphonic composition based on one main theme: Libretto: text, or boo, of a musical dramatic work: Movement: section of a musical work that sounds fairly complete and independent, but is part of a larger composition: Opera In modern times the chorale is considered to be a musical setting, usually polyphonic, of a traditional religious text.

Instrumental composition based on a chorale

This disc represents the instrumental portions, presenting them in a  Orkestermusik. Concertino för piano och orkester, op. 11 (1971/73); Elegy , för symfoniorkester, op. 12 (1973); Agnus Dei , för blandad kör och kammarorkester,  Nystedt's first compositions were in a national Romantic style, making conscious The chorale-based works are all in four parts: these are Kyrie 'Fons bonitatis' and The cantus firmi usually migrate; free counterpoint with instrumental traits  1927 -31 He studied composition with Ernst. Ellberg, piano with and piano, Op. 8 6. His prize-winning work for men's choir, Pa portant instrumental music was to him.
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A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service.
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String Quartet No. 1 1967 - String Quartet - Stepnote

Without any instrumental introduction, the voices of the chorus enter at once singing the chorale text to melodic lines obviously derived from Luther's tune in busy fugal imitation until the unembellished chorale melody itself, the cantus firmus, sounds from on high, in long notes, by the instrumental forces (by the oboes, and perhaps a choir of trumpets, as well) and is then thunderously answered, in strict canon, three octaves lower, by the instrumental basses and organ.